Archives par mot-clé : fan studies / fandom / fanfiction

CFP: Fan CULTure: An Examination of Participatory Fandom in the 21st Century (15 mai)

Fan CULTure: An Examination of Participatory Fandom in the 21st Century

With the advent of new media technologies and social networking sites making communication faster and easier than ever, there exists a dearth of opportunity to see how fan cultures have evolved as a result. For example, fans can now have a direct impact on how some of their favorite TV shows are made and have influenced the storylines taking place. This type of “participatory” fandom has reached new heights in the 21st century as fans and creators become better connected. With this in mind, Dr. Kristin M. Barton and Dr. Jonathan M. Lampley are seeking proposals for an edited volume under consideration at McFarland titled Fan CULTure: An Examination of Participatory Fandom in the 21st Century. The question this volume will seek to address is: How are fans interacting with or participating in cultures associated with popular culture objects? Proposals should look at specific properties (media or non-media) and how fan culture intersects with them using new or modern techniques. Each essay will ideally focus on a different media vehicle or object. We expect to have essays that focus on some (if not all) of the following topics: Star Trek, Star Wars, Dr. Who, Lord of the Rings, Joss Whedon’s creations, Game of Thrones, the Harry Potter franchise, and LEGOs, among others. Possible topics to explore with regard to these properties include (but are not limited to):
– Fan fiction
– Incorporating fans in DVD production/distribution/release
– Use of social media
– Fan involvement in helping create/steer storylines
– Fan films/Fan trailers/“Sweding”
– Theme parks/rides
– “Shipping” (fan fictionalization of characters in existing TV/film series)
– Fan participation within a property (fans as zombies in The Walking Dead)
– Costuming (Star Wars’ 501st Legion)
– Fan activism (Lady Gaga’s “Little Monsters” rallying for gay rights)

Again, the focus of the essays should be how these have been adopted into fan culture within a 21st century context.

The editors invite articles (5,000-6,000 words) that respond to the focus of the volume. Article abstracts (300-400 words) and a brief CV should be submitted by May 15, 2012 to Dr. Jonathan Lampley at jlampley@daltonstate.edu. Submissions with detailed outlines or in draft form will be given stronger consideration. Completed essays must be submitted by November 15, 2012. Brief queries are welcome should there be questions about appropriate submission topics. Selected authors will be notified by the end of May 2012, and please note that invitation to submit a full essay does not guarantee inclusion in the volume.

CFP: Media Across Borders The 1st International Conference on the Localisation of Film, Television and Video Games (2 avril 2012)

Media Across Borders

The 1st International Conference on the Localisation of Film, Television and Video Games

Saturday 9th June, 2012 at the University of Roehampton, London

Launch event of the Media Across Borders network, funded by the Arts & Humanities Research Council (AHRC) as part of the Translating Cultures programme.

What happened when the UK TV series The Office was reworked for French audiences as Le Bureau? Or when Vishal Bhardwaj adapted Othello in the Bollywood musical Omkara? Or when the Tomb Raider video game had to be altered for the Japanese market? The practice of adapting media content across borders is spreading. Opportunities offered by digital technologies have accelerated creative borrowing and have firmly established content franchising.

This international conference seeks to interrogate the myriad ways in which media content is translated and adapted across cultural borders. Bringing together academic scholars and industry professionals, the conference will discuss processes of media localisation and contemplate the broader significance of cultural translation within the creative industries.

We will consider all proposals relevant to this theme, although we particularly welcome those that engage with the following topics:

– Cross-cultural remakes and adaptations
– TV Formats
– Video game localisation
– Media content franchising
– Transmedia storytelling
– Localisation through para-texts
– Fan appropriation across borders
– Cultural translation
– The universal and the particular

Please submit an abstract of 300 words along with a short biographical note to:

mab@roehampton.ac.uk

Deadline for abstracts is 2nd April 2012

CFP: Fan Phenomena: Batman

Call for Contributors

Fan Phenomena: Batman

On the eve of Christopher Nolan’s trilogy-closer The Dark Knight Rises, Intellect is seeking contributors for Fan Phenomena: Batman. This new series, Fan Phenomena, is prompted by a growing appetite for books that tap into the fascination we have with what constitutes an iconic or cultish phenomenon and how a particular person, TV show or film character/film infiltrates their way into the public consciousness. The series will look at particular examples of ‘fan culture’ and approach the subject in an accessible manner aimed at both fans and those interested in the cultural and social aspects of these fascinating – and often unusual – ‘universes’.

Papers are invited that discuss any aspect of Batman and Fandom, including, but not limited to, the following:

FAN MEDIA
From widely distributed fan films such as Batman: Dead End to slash fiction that imagines Batman and Robin as more than just crime-fighting colleagues, fan responses to Batman frequently broaden the scope of the source material. Topics might include: fan art and fiction, fan films, mashups, machinima as well as issues surrounding authorship and copyright.

ADAPTATIONS and INFLUENCE
Although Batman may have his origin in comics, the Dark Knight has cast his shadow over a number of media and entertainments. Batman fans also migrate between media, often bringing their expectations and habits with them. Papers are invited which consider the interaction between Batman, adaptations and fans. Topics might include: Online fandom, Fan criticism of adaptations, viral marketing such as The Dark Knight, Comic-Conventions, Transmedia Storytelling and Convergence Culture.

FASHION
From Bat-Symbol emblazoned T-shirts to full on cosplay, Batman’s ionic status has inspired many fashion choices. Papers are invited which consider this relationship. Topics might include: Merchandise, Escapism, Fashion Trends and Cultural Impact of Style.

REPRESENTATIONS OF FANS
Papers are invited which discuss representations of “fans” in Batman texts such as the “Beware the Gray Ghost” episode of Batman: The Animated Series in which Bruce Wayne meets his childhood icon, or The Dark Knight in which Batman inspires like-minded vigilantes.

ECONOMICS AND POPULARITY
Despite occasional dips in popularity, Batman has been an important force in popular culture for over seventy years. Papers are invited which consider the role fans have played in sustaining the hero’s recognition.

Please submit abstracts of no more than 300 words, an academic bio and contact details (either in the body of a mail or as a single attachment) to Liam Burke at liam.burke@nuigalway.ie by 12 March 2012. Final papers will be 3,000 – 3,500 words and will be need to be submitted no later than 31 May 2012.

Journée d'étude: La Série revisitée par le web

Le séminaire « Pratiques créatives sur Internet »
et le réseau S.E.R.I.E.S.

La série revisitée par le web

Vendredi 20 janvier 2012
9h30 à 17h
Maison des Sciences de la Communication
Rez-de-chaussée
20 Rue Berbier-du-Mets
75013 Paris

9h30 – 10h : Présentation de la journée
Brigitte Chapelain (Paris Nord, LCP), Barbara Villez (Paris 8, JILC, SERIES, LCP)
10h – 10h30
Hervé Glévarec (Directeur de recherche CNRS) : « Quel modèle théorique pour penser la réception des séries télévisées contemporaines ? »

10h30 – 10h50 : Discussion

10h50 – 11h20
Mélanie Bourdaa (Université Bordeaux 3, MICA) : « Bienvenue dans le monde des web séries : nouvelles stratégies de production et sérialité ».

11h20 – 11h40 : Discussion

11h40 – 12h10
Virginie Spies (Université d’Avignon, Laboratoire Culture et communication) :« Analyser les médias audiovisuels à l’heure du numérique : lorsque les fans de séries témoignent de leur réception sur Twitter ».

12h10 – 12h30 : discussion

12h30 – 14h : pause déjeuner

14h – 14h30
Clément Combes (Doctorant, CSI, Mines Paris Tech) : « La sériphilie comme pratique partagée: la consommation de séries à l’heure d’Internet »

14h30 – 14h50 : discussion

15h – 16h15
Table ronde : « évolution de la série télé, des modes de réception sur Internet à la web série tournée et diffusée pour Internet (fabrication, public, diffusion et production) ».
Vincent Solignac, scénariste, réalisateur, président de la guilde des scénaristes.
Guillaume Crémonèse, réalisateur, producteur.
Amandine Prié, Co-auteur du Blog des séries et des hommes sur Libération.fr.
Alexandre Hervaud, journaliste.
Muriel Mille, EHESS.
Manuel Raynaud, journaliste, créateur du site Spin-off. (sous réserve)
Patrick Tallec, scénariste (sous réserve)
16h15 – 17h : discussion

L’Inscription est obligatoire : corinne.navelant@lcp.cnrs.fr
Pour toute information :
Brigitte Chapelain (brichap@club-internet.fr)