Archives par mot-clé : apocalypse

Parution : Médiations Apocalyptiques

Médiations Apocalyptiques : Imag(in)ing the Apocalypse

Actes du colloque organisé par Jérémy  Cornec,  Hélène  Machinal, Monica Michlin, Elizabeth Mullen, Arnaud Regnauld et  Joanna  Thornborrow, disponibles sous forme d’ebook.

Les contributions de ce volume s’interroge notamment sur la mise en image de l’apocalypse, du désastre, et de futurs dystopiques, en questionnant par exemple les proto-films catastrophe qu’ont pu incarner les actualités filmées lors de certains événements du début du siècle ; l’esthétique de la ruine dans la littérature post-11 septembre ; ou encore les remédiations des invasions zombies.

International conference : Melancholia : imaging the End of the World (June 5-7th, Marburg)

MELANCHOLIA: Imaging the End of the World

June 5–7th, 2013
International Conference at Philipps University, Marburg, Germany
Organized by Central Connecticut State University and Philipps University

We live in a world at risk.  Various prophecies and clandestine calendars point to the end of the world, while serious theorists engage with the idea of scenario planning as a scientific tool for the evaluation of the future. Even the fictions of contemporary reality and social life present narratives of decay and the end of a commonly shared social reality.

Despite their orientation towards the future, these catastrophic scenarios function to organize present social reality, and all are reflected in our audiovisual media.

The conference Melancholia: Imaging the End of the World will present papers on a broad spectrum of issues and historical moments that engage critically with the topic of Visions of the End of the World, in film, television and digital media.


Conference will be held at Philipps University Wilhelm Röpke Strasse 6A


4:00 PM : Registration (Philipps University)

5:10 PM : Welcome notes

5:15 – 6:00 PM : Keynote lecture: Scott Loren, St. Gallen (Switzerland) – Can Disaster Films be feminine? Lars von Trier’s challenge to the male gaze

6:15 – 7:30 PM : Reception Cineplex

7:30 – 9:30 PM : Film screening and discussion : Melancholia, dir. Lars von Trier (Moderator: Angela Krewani, Philipps University, Marburg)


9:00 – 10:00 AM : Prof. Dr. Joachim Herrgen (Dean)

10:00 – 11:15 AM : Conference presentations

Panel 111: Early visions of the Apocalypse, Room 01C09

Karen Randell (Southampton Solent University, UK) : Melancholia & Melodrama in Silent Cinema after World War I

Clémentine Tholas-Disset (Paris East Créteil University) : World War I and Hollywood’s first modern Armageddon: understanding wartime and post-conflict representations of aglobal cataclysm in Civilization (1916) and The Four Horsemen of the Apocalypse (1921)

Panel 112: 9/11 Trauma and Sacrifice, Room 01C10

Leah A. Rosenberg, (University of Missouri, USA) : All That Remains: Examining the Immortal Undead in Post 9/11 Television and Film

Tanya Shilina-Conte, SUNY at Buffalo : Representing the Unrepresentable: Black Screen as Negative Event and post-9/11 Cinema

Jon Pahl (Temple University, USA) : Apocalypse and Sacrifice in Modern Film: American Exceptionalism and a Scandinavian Alternative

Panel 113: The Apocalypse and historical transformations, Room 03F04

Peter Krämer (University of East Anglia, UK) : We’ll meet again: Endings and New Beginnings in Dr. Strangelove (1964) and Other Films about Global Transformations

Adrian Versteegh (New York University, USA) : Spectacles of Ruin: Apocalypse and the Afterlife of Cities in the Victorian Imaginary

Thomas Prasch (Washburn University, USA) : ‘Radiation’s rising, but one mustn’t grumble too much’: Nuclear Apocalypse Played as Farce in Richard Lester’s The Bed-Sitting Room (1969)

11:15 – 11:45 AM : Coffee Break

11:45 AM – 12:45 PM : Keynote lecture: Frederick Wasser (Brooklyn College, NY, USA) – Disaster films and the End of the World

1:00 – 2:00 PM : Lunch

2:10 – 3:25 PM : Conference presentation :

Panel 121: Converging Media, Room 01C09

Andreas Kirchner (Leuphana University, Lüneburg, Germany) : Experiencing the End of the World: Lars van Trier’s Melancholia as Hybrid Between Art and Genre Fil

Michael Mosel (University of Giessen, Germany) : Playing Zombified Versions of the End of the World

Panel 122: Psycho-social functions I, Room 01C10

Charles Antoine Courcoux (University of Lausanne, Switzerland) : The (Gender)Politics of Disaster

Philip Hammond (London South Bank University, UK) and Hugh Ortega Breton (University of Surrey, UK) : The Eco Apocalypse: A psycho-cultural approach to Melancholic Loss, Political Alienation and the Desire for annihilation

Panel 123: Apocalypse and Teens, Room 03F04

Timothy Shary (Independent Scholar, USA) : Eschatological Ecstasy: the Thrills of Cataclysm in Teen Cinema

Karen A. Ritzenhoff (Central Connecticut State University) : Kids Killing Kids in Dystopia: The Hunger Games and Battle Royale

3:30 – 4:00 PM : Coffee break

4:00 – 5:15 PM : Conference presentations

Panel 131: Psycho Social Function II, Room 01C09

Matthias Koch and Christian Köhler (Paderborn University, Germany) : Zombification: Undead (in) History

Angela Krewani (Philipps University, Marburg) : Film as lab: the apocalypse on film as laboratory for the future

Panel 132: Managing the Crisis, Room 01C10

Scott Ellis (Southern Connecticut State University, USA) and Fiona Pearson (Central Connecticut State University, USA) : Dead Narratives: Defining Humanity Through Stories

Carl James Grindly (City University of New York, USA) : Film as lab: The apocalypse on film as laboratory for the future

Panel 133: Apocalypse and Superstition, Room 03F04

Joseph M. Conte, (University at Buffalo) : The Ruins of the Future: Don DeLillo’s Cosmopolis, David Cronenberg’s Adaptation, and Gerhard Richter’s October 18, 1977

Kinga Wlodarska, (Central Connecticut State University, USA) : Shadows, Superstitions and the End of the World

6:00 – 7:00 PM : Marburger Filmkunsttheater Roundtable Discussion:

Chair: Peter Krämer (University of East Anglia, UK)

Panelists: Catriona McAvoy (Loner Films, UK); Richard Daniels (University of the Arts, London, UK); Tatjana Ljujic (Cambridge University, UK)

7:30 – 9:00 PM

Film screening and discussion : Dr. Strangelove. Dir. Stanley Kubrick

FRIDAY, JUNE 7, 2013

9:00 – 10:00 AM : Breakfast

10:00 – 11:15 AM : Conference presentations

Panel 211: Technologies, Room 01C09

Kristine Larsen (Central Connecticut State University, USA) : ALICE and the Apocalypse: Particle Accelerators as Death Machines

Shizuko Tomoda (Central Connecticut State University, USA) : Fear of What? Nuclear Power or Us?

Michael Krzeminski (St. Augustin, Germany) : Apocaplyptic Images in Technological Applications

Panel 212: Apocalypse in Popular Culture, Room: Alter Senatssaal

Katherine Sugg (Central Connecticut State University, USA) : A Sense of Ending: Apocalyptic Imaginaries in White Masculinity in the Frontier Fantasies of Deadwood and Firefly

Kerstin Stutterheim (HFF Konrad Wolf, Potsdam, Germany) : Documenting the Rider of the Apocalypse

Panel 213: Corporate End of the World, Room 03F04

Cindy White (Central Connecticut State University, USA) and Elizabeth Hall Preston (Westfield State University, USA): Evoking the Apocalypse: Patagonia, Inc. And Landscapes of Loss and Redemption

Wendy Sterba (College of St.Benedict/St. John’s University): The Corporate and Corporeal: Min(d)ing the Body-Conscience and Consumption in Early 21st Century Hollywood Dystopia

11:15 – 11:45 AM : Coffee break

11:45 AM – 1:00 PM : Conference presentations

Panel 221: A critique of Modernism, Room 01C09

Thomas Waitz (University of Vienna, Austria) : A World Without Us: The End of Modernity as the End of the World

Sven Weidner (Philipps University, Marburg, Germany) : 4:44 Last Day on Earth: An experimentalvision of the final and definite end of the World

Panel 222: Politics of Images, Room 03F04

Samm Deigham: Seeing Yourself to Death: Wim Wenders’ Until the End of the World and the Disease of Images

Iulia Micu (Cluj-Napoca, Romania) and Andrei Simut (Babes-Bolyai University, Romania) : Toward a Psycho-Social Apocalypse: Depression, Death and the Dream of Total Annihilation

1:00 – 2:00 PM : Lunch (Catering)

2:00 PM – 3:15 PM : Conference presentations

Panel 231: Functions of narration, Alter Senatssaal Room

Solveig Nitzke (Bochum University, Germany) : Is there an end to it? Fictional shelters and shelter-fiction

Peter Podrez (Friedrich Alexander University Erlangen, Germany) Blank Screens and annihilated gazes. Radicalizing the End in filmic apocalypses

Panel 232: Erosions of Society, Room 01C09

Natalia Laranjinha, (CIAC – Center for Arts and Communication, Portugal) : The Deadly Saturn in Melancholia

Pierre Floquet (Bordeaux University, France) : Melancholia and the Apocalypse Within

Panel 233: Functions of narration, Room 03F04

Tara Karajica (University of Barcelona, Spain) : One form of post-apocalyptic societal erosion: the banishment of feelings and artistic expression in Kurt Wimmer’s 2002 Equilibirum

Tatjana Ljujic (Cambridge University, UK): Tarkovsky’s Sacrifice and the end of the world

3:30 PM : Walk to the Marburg Castle

4:00 – 5:10 PM : Conference presentations

Panel 241: Kubrick and the apocalypse, Seminarraum Schloss Room

Catriona McAvoy (Loner Films, UK) : ‘Gentleman, You Can’t Fight in Here’: Gender Symbolism and the End of the World in Dr. Strangelove and Melancholia

Richard Daniels (University of the Arts, London, UK): 2001 – A Space Odyssey: Kubrick’s Second Brush with the Apocalypse

6:00 PM : Marburger Schloss Roundtable Discussion

Political and Cultural Functions end time visions

Panel Moderators: Karen Ritzenhoff (Central Connecticut State University, USA) and Angela Krewani (Philipps University)

Panelists: Karen Randell (Southamptom Solent University, UK), Timothy Shary (independent scholar, USA), Clémentine Tholas-Disset (Paris East Créteil University, France), Pierre Floquet (Bordeaux University, France), and Cindy White (Central Connecticut State University, USA)

7: 30 pm : Dinner at the Castle Restaurant Bückingsgarten


For more information about the trip or to ask a question reguarding the trip please get in touch with Either:

Prof. Dr. Angela Krewani

Philipps-Universität Marburg

Institut für Medienwissenschaft
Wilhelm Röpke Strasse 6A
35039 Marburg

Tel: +49-(0)6421-2824691

Karen A. Ritzenhoff, Ph.D.

Professor, Department of Communication

Women, Gender and Sexuality Studies

Central Connecticut State University

1615 Stanley Street

New Britain, CT 06050

Tel: (001) – 860/832-2692


Publication : "Global Media Apocalypse", Jeff Lewis

Global Media Apocalypse. Pleasure, Violence and the Cultural Imaginings of Doom, Jeff Lewis, Palgrave Macmillan


The modern world has become trapped between fantasies of infinite bliss and the prospects of total global collapse. Global Media Apocalypse explores these contrary imaginings through an evolving cultural ecology of violence. Articulated through the global media, these apocalyptic fantasies express a profoundly human condition of crisis. Paying particular attention to the role of digital and networked communication systems, Jeff Lewis presents an analysis of mediated imaginings of many of the world’s most pressing problems, including consumerism, ecological disaster, global power shifts, terrorism, refugees, borders and cultural warfare. An accessible analysis of a world teetering on the edge of systemic collapse, the book offers a powerful rendering of many of the world’s most challenging and potentially devastating problems, presenting explanations and solutions that are both original and starkly provocative.


  • Preface
  • Introduction: Out of the 9/11 Decade
  • New Media-Old Empires: Celebrity, Sex and Revolutions of Knowing
  • Under the Volcano: The Cultural Ecology of Nature
  • Hyper-Pleasure: Consumer Rituals and Transactions of Desire
  • Menace: Westernism, Media and the Cultural Ecology of Violence
  • After the Apocalypse: Refugees, Human Rights and the Global Media Future
  • Conclusion
  • Peace
  • References


Jeff Lewis is Director of the Human Security Research Program at RMIT University, Melbourne, Australia. He has published numerous journal articles and books, including Cultural Studies, Language Wars, Bali’s Silent Crisis, and Crisis in the Global Mediasphere.

Parution: L'Imaginaire de l’Apocalypse au cinéma (Grit)

L’Imaginaire de l’Apocalypse au cinéma
L’Harmattan, 2012
VIENT de paraître, chez l’Harmattan, L’Imaginaire de l’apocalypse au cinéma, collectif dirigé par Arnaud Join-Lambert, Serge Goriely et Sébastien Fevry. Le volume, publié dans la collection « Structures et pouvoirs des imaginaires », rassemble les contributions de chercheurs issus de plusieurs domaines de recherche (spécialistes de l’expression artistique, théologiens) afin d’examiner dans toute leur richesse ces productions cinématographiques qui soulèvent les questions de fins dernières.


Apocalypse(s) ! Depuis ses débuts, le cinéma n’a cessé de projeter des images de fin du monde, de cristalliser sur grand écran les craintes suscitées aussi bien par le devenir collectif de l’humanité que par le sens de l’existence individuelle. Qu’il s’agisse d’une destruction planétaire filmée à grand renfort d’effets spéciaux ou d’un effondrement plus silencieux, les films apocalyptiques ne manquent pas de soulever les questions des fins dernières : Quel monde espérer après le chaos ? Qu’en est-il de la révélation ultime ? Au cinéma, ces interrogations prennent les formes les plus diverses, alimentant une création foisonnante où les allusions au texte biblique côtoient les références à des périls réels ou fantasmés. Pour se pencher sur cet imaginaire apocalyptique, sont ici conviés des chercheurs de différentes provenances (spécialistes de l’expression artistique et théologiens), offrant une approche plurielle et critique, à la mesure de la richesse et des enjeux de ce type de cinéma. Tandis que la première partie aborde, en une série de plans d’ensemble, les traits dominants du genre, notamment à travers le prisme du film catastrophe, la seconde partie se resserre sur une suite d’études consacrées à la dimension apocalyptique présente dans l’œuvre de réalisateurs marquants (Tarkovski, Herzog, Kieślowski, etc.) et de créateurs en art vidéo (Viola, Theys).

Cet ouvrage a été coordonné par des membres du Groupe de recherche Cinespi de l’université catholique de Louvain : Arnaud Join-Lambert, professeur à la faculté de théologie, Serge Goriely, docteur en lettres et chargé de cours au Centre d’études théâtrales, et Sébastien Fevry, docteur en sciences de la communication, chargé de cours invité à l’École de communication et professeur à l’Institut des arts de diffusion (IAD).