Erik Davis, High Weirdness. Drugs, Esoterica, and Visionary Experience in the Seventies, MIT Press, 550 p.
An exploration of the emergence of a new psychedelic spirituality in the work of Philip K. Dick, Terence McKenna, and Robert Anton Wilson.
A study of the spiritual provocations to be found in the work of Philip K. Dick, Terence McKenna, and Robert Anton Wilson, High Weirdness charts the emergence of a new psychedelic spirituality that arose from the American counterculture of the 1970s. These three authors changed the way millions of readers thought, dreamed, and experienced reality—but how did their writings reflect, as well as shape, the seismic cultural shifts taking place in America?
In High Weirdness, Erik Davis—America’s leading scholar of high strangeness—examines the published and unpublished writings of these vital, iconoclastic thinkers, as well as their own life-changing mystical experiences. Davis explores the complex lattice of the strange that flowed through America’s West Coast at a time of radical technological, political, and social upheaval to present a new theory of the weird as a viable mode for a renewed engagement with reality.
Erik Davis is an American journalist, critic, podcaster, counter-public intellectual whose writings have run the gamut from rock criticism to cultural analysis to creative explorations of esoteric mysticism. He is the author of Techgnosis: Myth, Magic and Mysticism in the Age of Information, The Visionary State: A Journey through California’s Spiritual Landscape, and Nomad Codes: Adventures in Modern Esoterica.
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Aurélie Huz (2021, 10 février). Parution : High Weirdness. Drugs, Esoterica, and Visionary Experience in the Seventies. LPCM. Consulté le 28 février 2024, à l’adresse https://doi.org/10.58079/r2b6