Parution : Acting Egyptian. Theater, Identity, and Political Culture in Cairo, 1869–1930

Carmen M. K. Gitre, Acting Egyptian. Theater, Identity, and Political Culture in Cairo, 1869–1930, University of Texas Press, 2019. 

In the late nineteenth and early twentieth centuries, during the “protectorate” period of British occupation in Egypt—theaters and other performance sites were vital for imagining, mirroring, debating, and shaping competing conceptions of modern Egyptian identity. Central figures in this diverse spectrum were the effendis, an emerging class of urban, male, anticolonial professionals whose role would ultimately become dominant. Acting Egyptian argues that performance themes, spaces, actors, and audiences allowed pluralism to take center stage while simultaneously consolidating effendi voices.

From the world premiere of Verdi’s Aida at Cairo’s Khedivial Opera House in 1871 to the theatrical rhetoric surrounding the revolution of 1919, which gave women an opportunity to link their visibility to the well-being of the nation, Acting Egyptian examines the ways in which elites and effendis, men and women, used newly built performance spaces to debate morality, politics, and the implications of modernity. Drawing on scripts, playbills, ads, and numerous other sources, the book brings to life provocative debates that fostered a new image of national culture and performances that echoed the events of urban life in the struggle for independence.

Carmen M. K. Gitre is an assistant professor of history at Virginia Tech University. She holds a PhD in history from Rutgers University and previously taught in the international studies and history departments at Seattle University.

Table of contents: 

  • Acknowledgments
  • Note on Transliteration
  • Introduction
  • Chapter 1. Aida in Egypt
  • Chapter 2. How to Be an Effendi
  • Chapter 3. The Story of Ahmad the Rat
  • Chapter 4. Cabarets and the Mothers of the Nation
  • Conclusion
  • Notes
  • Bibliography
  • Index


Citer ce billet
Anaïs Goudmand (2021, 8 février). Parution : Acting Egyptian. Theater, Identity, and Political Culture in Cairo, 1869–1930. LPCM. Consulté le 1 mars 2024, à l’adresse https://doi.org/10.58079/r2aw

Laisser un commentaire

Votre adresse e-mail ne sera pas publiée. Les champs obligatoires sont indiqués avec *

Ce site utilise Akismet pour réduire les indésirables. En savoir plus sur comment les données de vos commentaires sont utilisées.