Parution : Framing [in] Comics and Cartoons. Essays on Aesthetics, History, and Mediality

Johannes C.P. Schmid, Christian A. Bachmann (dir.), Framing [in] Comics and Cartoons. Essays on Aesthetics, History, and Mediality, Christian A. Bachmann, 2021. 

Panels, grids, gutters, and pages—graphic narratives rests firmly on practices of setting apart and framing spaces. At the same time, frames—in the sense of cognitive categories as well as semiotic and material manifestations—form basic prerequisites of meaning-making. In contrast to virtually all other media in comics, frames represent not only general communicative aspects; they form its very basic grammar. The essays collected in this volume discuss some of these medial characteristics of comics and cartoons as materialized through their particular carrier media, and they investigate works that range from the inception of the form in the nineteenth century up until its most recent incarnations.

Johannes C.P. SCHMID/Christian A. BACHMANN
Framing [in] Comics: A Preface

Christina MEYER
“Enclosures for Looking”? Medial, Material,
and Aesthetic Frames|Framings

Sebastian BARTOSCH
How To Not Freeze the Frames of Mediality:
Looking Back at Old Comic Books

Lukas R.A. WILDE
Falling in Line: Framing 9/11 and the »War on Terror« in Editorial Cartoons

Johannes C.P. SCHMID
Framing Documentary Comics: Considering Prologues

Astrid BÖGER
“Things Are Different Now”: Re-Framing Australian Identity in Pat Grant’s Blue


OpenEdition vous propose de citer ce billet de la manière suivante :
Anaïs Goudmand (2 février 2021). Parution : Framing [in] Comics and Cartoons. Essays on Aesthetics, History, and Mediality. LPCM. Consulté le 16 novembre 2025 à l’adresse https://doi.org/10.58079/r2ad


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