Tim Burton, a Cinema of Transformations
Gilles Menegaldo (dir.)
PULM (collection “Profils américains”)
Table des matières
Introduction (Gilles Menegaldo)
1) Origins and Cultural Heritage
Bérénice Bonhomme: “Draw me a monster”: the dynamics of drawing in Tim Burton’s creative process
Florence Chéron: Tim Burton’s Early Films: Cinematographic Work Roots
Virginie Vuiglio: Turning Monsters into Martyrs: Suffering and Metamorphosis in The Melancholy Death of Oyster Boy and Other Stories
Raphaëlle Costa de Beauregard: Tim Burton’s Big Fish (2003): a “nostalgia” of Early Cinema?
2) Strange Bodies: Across Genders and Genres
Eithne O’Neill: Tim Burton, Ovid, and the Body Piecemeal
Taïna Tuhkunen: Vampires, Witches, Corpse Brides and Patchwork Princesses: the Thrill of Tim Burton’s “Female Gothic”
Florent Christol: Pee Wee’s Big (Racist) Adventure: Freak Show Aesthetics and Ideology
Elsa Colombani: “Split at the Center”: Tim Burton’s Animal-Men.
Yann Calvet: Intelligent Life can be Found Elsewhere! On Mars Attacks!
3) A Matter of Life and Death (Family and Trauma)
Laurent Jullier: “Family is the only wealth!” — or am I wrong? The finally reassuring World of Tim Burton
Marie-Camille Bouchindomme: Death and the Maiden
Xavier Daverat: “Closer to the Bone” (Tim Burton’s Corpse Bride, 2005)
Vincent Baticle: The Handling of Time in Tim Burton’s Feature-length Films
Eithne O’Neill : Miss Peregrine’s Home for Peculiar Children: Eyes and Skeletons. Flesh and bone
4) Adaptations, Remakes, Reappropriations
Christian Viviani: Sweeney Todd, a “Revenger’s tragedy”
Jean-Marie Lecomte: Americanizing Alice: Tim Burton and the Victorian Imagination
Gilles Menegaldo: Tim Burton’s Cross-genre and Subversive Rewriting of the Frankenstein Myth: From Vincent to Edward Scissorhands.
Mélanie Boissonneau: Studying Frankenweenie (2013): A Look at Tim Burton and the Frankenstein Method
Anne-Marie Paquet-Deyris : Blood Sample. Tim Burton’s Dark Shadows:
Between Genre Homage and Satire
5) Artists and the creative/interpretive process
Olivier Cotte: Tim Burton and the Animated Film
David Roche: The Spectatorial Terms of Ed Wood (Tim Burton, 1994)
Sophie Benoist : An Experience of Paradox: Johnny Depp in Tim Burton’s Movies
Cécile Carayol: Danny Elfman and the Music Box effect in Tim Burton’s films
Jerome Lauté: “Deeply superficial”: Burton’s “Warholian” Vision of Art and Creation In Big Eyes
OpenEdition vous propose de citer ce billet de la manière suivante :
Anne Besson (18 février 2018). Parution : Tim Burton. LPCM. Consulté le 12 février 2025 à l’adresse https://doi.org/10.58079/r1vz